| Piers Whyte sets out on his maiden voyage from obscurity to the land of published music by creating a digital vehicle he is determined to destroy. Aboard this ship are collected personal postulations, mistakes, successes and failures left to mingle and eventually procreate or go extinct as they will. This little voyage was charted to, in turn, hypothesize, celebrate, reject, lament, brood, accept and rejoice.
"Upon the
initial listen of Piers Whyte, I was unable to comprehend what was being
emitted. It is what a dream would be if you were awake; too much stimuli for
all of your neurons to process. A love opus for androids. On the outside you
are sonically assaulted by all types digital, but inside you can feel there
is a center. Piers Whyte is a one man show who can do what he wants with you
the first moment you hear the blips and circling screeches. This is not an
album that you will initially take too, but each listen gives you a
different perspective. Piers Whyte is a cacophony of all things audio. I
would not term this music in the traditional sense; it could possibly be the
byproduct of music. Instead of trying to relate mood through notes, digital
feedback and remixed electrical impulses push the feelings into your
synapses. Surprisingly, this collection is much more emotive the more it is
heard. With the constant storm of information being delivered to your
eardrums, the gentler moments of Piers Whyte appear that much sweeter when
they arrive. “Waxing Sentimental” is a gem that stood out to me, which
aurally, allows you to be present for the birth of a new day. The storm and
the sweet would not represent themselves as vividly if they had not been
packaged together. After my first few attempts to take this in, I set aside
time to listen to it as a whole. As the digital “music” played out I, a
robot, gained the ability to simply feel the environment around me. Then
again, it may have been a waking dream." - Impose
"Piers Whyte = Matmos +
Laminar + a touch of Merzbow. Let’s assume there is a man named Piers
Whyte. Let’s assume that Mr. Whyte traveled from British Columbia to Cuba
with some type of recording device. Let’s assume this CD to be a selection
of those tapes. This is all anyone seems to know (or is willing to tell)
about this project. However, I can inform you that this is one of the most
enchanting pieces of field recording I have come across. Much of the
album’s first eight tracks are dominated by blips, scratches, hums and
drones that always seem to approach normative musical motifs only to drift
into new soundscapes. The final track, “Pioggia Viola,” is an absolute
masterpiece of fortuitous audio. Though it seems “manipulated” to an
extent greater than necessary mastering, the track swoons with the organic
sound of a festival (or something else marvelous) and drowns in noisy
clutter and tape hiss. Lovely!" Slug Mag
"...Enter Piers Whyte, a
British Columbia resident whose debut is as refreshing as it is nostalgic.
Whyte knows how to construct something uniquely interesting and exciting
out of not-all-that-original sounds, whether it’s in a randomised array of
noisy slices (“Chilly Fountain Warp”), a slow-burning digital fire that’s
eventually stoked to cinder (“Winter, ’03”) or a violently fizzling crowd
pleaser from a forbidden dimension (“Pioggia Viola”), this debut of
intensely noisy but always beautiful orderly chaos offers an exciting
reminder that glitch’s picture hasn’t yet completely degraded to white
noise." - Exclaim
"Whyte manages to combine his
remarkable sounds into ambient compositions that are simultaneously warm
and wicked." - Grooves
"If music can remind you
of a frigid cold day with snow blowing violently, and you sitting all
alone in just a small shack that barely keeps the cold out, then this
would be your band."
- Sayrah.net
"Ever wonder what an explosion of
a dozen iMacs running Reaktor sounds like? Ever ponder what would happen
if somebody sampled Lou Reed's Metal Machine Music and jumbled its DNA?
Piers Whyte, baby--abstract glitch with its shirt untucked and its blood
over-caffeinated." - Seattle Stranger
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